Saturday, November 15, 2014
HBBB: Program and Notes
with notes by Gilbert Cline
HBBB repeats the very first three concert works from our very first concert, of April 2, 2004. (and we thought it wouldn’t last!) Those three are:
1- Prelude for an Occasion (1972) by Edward Gregson
This is a British symphonic overture, with cornets and trombones sounding as if they were in the Chicago Symphony. The tones are 20th century vertical harmonies, including pyramids and polychords. After an classic overture-type slow beginning, the music really takes off -- even the basses getting to saw away at fast-moving 16th notes; timpani and the other percussion brighten the total effect.
2- Moon River (1961) by Henry Mancini
We’ve always enjoyed this arrangement of the film score, and the music is extremely tender and expressive. First heard in the film “Breakfast at Tiffany’s,” the theme and underlying chords are so very American -- for HBBB’s director, his earliest and most impressionable sounds of major- seven chords and flatted-fifths -- all under a completely gorgeous melody.
3- Fantasy on British Sea Songs:traditional arranged by Gordon Langford
This one begins as if on a genuine tall ship like a British Man ‘o War, with truly heroic sounds. The tunes in this music, essentially a medley, are classic, and even partly comical; the trombones shine in a distinctive interpretation of “Who’s Afraid of a Drunken Sailor?” (! not our trombonists!)
The HBBB arrangement of the music, somewhat Gilbert & Sullivan in nature, features the singing voice of Miss Molly Harvis (HBBB’s solo cornetist), accompanied by a small brass band of the sort which would have been hear in San Francisco during that year, and includes an historic circa 1865 E-flat rotary valve cornet of the very type in use then. We also use an 1895 tuba (the “Bayside Bombardon”) once owned by Leonard Yocum, Humboldt County bandsman, County Supervisor, and one of the founders of HSU.
5- O.R.B. (contest march) by Charles Anderson
6- Gaelforce (2000) by Peter Graham Quite popular with bands in Great Britain these days, this music uses folk tunes of the Irish type -- with a lilting, almost Riverdance effect. Included are “The Rocky Road to Dublin”, then “The Minstrel Boy,” and as a finale “Tossing the Feathers.” Featured along the way are the cornets as a section, and a very sweet trombone solo, a virtuoso euphonium solo -- along with force-of- a-Gale percussion.
7- Post Horn Galop (1928) by Koening
In the band world, these are at “Quick Step” tempo--160 beats per minute! This march is “The Post Horn Gallop,” the first time HBBB has performed this famous work. Genius in simplicity and concept (even Mozart wrote a “Posthorn Serenade”), the instrument intended is the straight, short, 30-inch posthorn. For this performance, Gil Cline has the privilege of playing “the Genuine Article,” on loan directly from London and trumpet-maker David Edwards, former trumpeter and soloist with the Queen’s Life Guard Band.
8- Shenandoah (ca. 1870) arranged by Matthew Morgan
One of the great songs in Americana, the various lyrics and usages reference a variety of settings including not only the Shenandoah Valley but also the Missouri River, river boatmen, clipper ship sailors, westward-bound settlers, and even escaped slaves. In this arrangement, the melody is taken not only by tenor horn, but also by the combined HBBB bass and baritone elements.
The next works pertain to the Veterans Day and in recognition of those among us, as well as family members and others before us, who have served in the various branches of military service.
9- Images for Brass (2001)by Stephen Bulla
Excellent brass band writing is not confined to the UK only. American composer Stephen Bulla for almost 30 years has served as Chief Arranger for “The President’s Own” U.S. Marine Band and White House Orchestra. This particular work was written upon the 50th Anniversary of the very important, and deadly, World War II battle of Iwo Jima, a seaborne landing invasion of an island crucial to ending the war in the Pacific against Japan. According to the composer's notes, the four movements depict “the quiet anticipation before conflict, the arduous journey into the scene of the battle, a time of introspection and prayer (the hymn tune “Melita” is featured), and finally the hostile confrontation.”
11- The Star Spangled Banner (1814 / 2014)
This presentation is the result of some research and some creative activity here at HSU. We know the words, so famously penned by Francis Scott Key; fewer know that the music is by John Stafford Smith. But how many people these days know, or have ever heard, all FOUR verses?! HBBB’s Director first saw them on a statue in Golden Gate Park. After some research at a band music archive in Minnesota and some further digging at the Smithsonian, it was decided to present the singing of three verses (in reverse order) so seldom heard, and based on the original 1814 published music.
12- U.S. Service Songs. Arranged by Gilbert Cline.
We offer our custom arrangement of US Service Songs, with not only Army, Navy, Marines, and Air Force, but also Coast Guard --and-- the forgotten personnel in harms way, the U.S. Merchant Marine. We invite audience members to elect the option to stand at the appropriate time (for the music of that particular branch of service) if you are a veteran, or if you are family, or even relative in any generation. We do this out of respect to the considerable sacrifices made in service.